配音员的工作是用声音创造一个艺术职业声音语言的问题对每个配音员都很重要。无论什么配音，配音员对自己的语言发音和吐字都会直接影响配音宣传的效果。以下是配音中常见的一些声音问题：
1.气息浅，声音弱。多见于女声，主要原因是呼吸方法不当，没有使用深腹式呼吸和胸腹联合呼吸。呼气时吐字器官控制不好，字头浪费过多，精神状态过度紧张也会导致这个问题。
2.气息不足,有的人句尾气息不足，发音费力。这个问题应该从开源和节流两个方面来解决。一方面要改善呼吸，增加吸气量。另一方面，在保证声音质量的同时，句子前部不要用太多的气;声门开度不要过大;适当控制字头和字尾，防止气流跑冒。
3.用声偏高,播放时音高偏离正常话语音高，声音高，使人感到不自然。初学者比较常见，尤其是女声。高声是学习播音时加强吐字力度，放大音量和精神状态相对积极后最容易产生的声音问题。
如果对这个问题一无所知，可以将播音音高与生活语言音高进行对比，进行自我检查。有果出现这个问题，可以在发音前设定好音高。喉咙适当放松，吸气不要太饱也有助于克服这个问题。
4.用声偏紧。播音时声音紧绷，音色不柔和，听起来不自然，感觉僵硬。类似于用声偏高，用声偏紧也容易在加强吐字力度和呼吸强度后产生。口腔紧张度的提高会导致喉咙紧张;吸气量增加会使声门倾向紧闭。
这些都会不自觉地喉部紧张，导致声门闭合过紧，使用声偏紧。当个人音色偏好和气息不足时，节省气流，也会形成声音紧张的问题。在音色的选择上，首先应该是松紧的中间音色-以虚实声为主，待此音色习惯后，再灵活使用其它音色类型。
粗糙的声音带有挤压色彩，容易出现在句尾。男声中较常见。原因是声带太紧，振动不好。句子结束时声音低，声门过早结束容易产生这种音色。气息不足，句尾气息无法支撑，容易造成声门闭合，形成喉音。若某些字音已已经形成固定的声音颜色，则需要从发音角度调整相关声音。
鼻共鸣过度形成的音色。软腭大多下垂或抬起不足，导致声音过多进入鼻腔。发音时适当挺起，可以避免鼻音。鼻韵母元音在吐字过程中鼻化过早也是鼻音的常见原因。
鼻韵母中元音鼻化应在元音后部形成鼻化，否则会使鼻韵母音节具有浓厚的鼻音色彩。鼻腔通道因感冒等原因堵塞，会形成阻塞性鼻音，可通过治疗解决。
The job of a voice actor is to create an artistic professional voice language with sound. The problem of language is very important to every voice actor. Regardless of the dubbing, the pronunciation and pronunciation of the voice of the voice will directly affect the effect of the dubbing publicity. The following are some common sound problems in dubbing:
1. Light breath, weak voice. It is more common in female voices. The main reason is improper breathing method. Deep abdominal breathing and combined chest-abdominal breathing are not used. Poor control of the exhaling organs during exhalation, excessive waste of word heads, and excessive mental state can also cause this problem.
2. Insufficient breath, some people have insufficient breath at the end of the sentence, and the pronunciation is laborious. This problem should be solved from two aspects: increasing revenue and reducing expenditure. On the one hand, it is necessary to improve breathing and increase the amount of inhalation. On the other hand, while ensuring the sound quality, do not use too much air at the front of the sentence; do not open too much glottis; properly control the beginning and end of the word to prevent airflow.
3. The voice is too high, the pitch deviates from the normal voice during playback, and the voice is high, which makes people feel unnatural. Beginners are more common, especially female voices. Loud voice is the most prone to voice problem when learning to broadcast, strengthen the spelling, amplify the volume and the mental state is relatively active.
If you don’t know anything about this issue, you can compare the pitch of the broadcast with the pitch of everyday language for self-examination. If this problem occurs, you can set the pitch before pronunciation. Relaxing your throat properly and not breathing too much can also help overcome this problem.
4. Use the voice tightly. When broadcasting, the sound is tight, the timbre is not soft, it sounds unnatural, and it feels stiff. Similar to using a high voice, using a tight voice is easy to produce after strengthening the intensity of speaking and breathing. An increase in oral tension will cause the throat to become tight; an increase in inhalation will make the glottis tend to close tightly.
These will unconsciously tense the larynx, causing the glottis to close too tightly, and the sound is too tight. When personal tone color preference and breath are insufficient, saving airflow will also cause a problem of sound tension. In the choice of timbre, the first should be the elastic middle timbre-mainly virtual and real sounds. After this timbre gets used to it, other timbre types can be used flexibly.
The rough voice has a squeeze color, which tends to appear at the end of the sentence. More common in male voices. The reason is that the vocal cords are too tight and the vibration is not good. The voice is low at the end of the sentence, and it is easy to produce this tone when the glottis ends prematurely. If the breath is insufficient, the breath at the end of the sentence cannot be supported, and it is easy to cause the glottis to close and form a guttural sound. If certain phonetic sounds have formed a fixed sound color, you need to adjust the related sounds from the pronunciation angle.
Tone formed by excessive nasal resonance. The soft palate is mostly sagging or insufficiently lifted, causing too much sound to enter the nasal cavity. Properly stand up when pronounced to avoid nasal sounds. Premature nasalization of nasal vowels during vowels is also a common cause of nasal sounds.
The nasalization of the vowels in the nasal finals should be nasalized at the back of the vowels, otherwise the nasal finals syllables will have a strong nasal color. The nasal passage is blocked due to colds and other reasons, which can cause obstructive nasal sounds, which can be resolved by treatment.
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