当我们赞美一个人的好声音时，我们实际上是在赞美他们的好音色。在音色方面，朋友们知道如何把握音色，让自己的声音发挥更好的作用，这是配音行业的新鲜血液。
因此，配音成员的音色控制和应用应该被每个配音成员学习和理解。在不同的环境中，配音成员也需要使用不同的声音来诠释角色，并显示不同的效果。如何控制配音员的音色是一个值得关注的问题。
配音人员对音色的控制和应用介绍：
音色又称音质。声音不同于其他声音是一个基本特征
由于发声体和共振腔的先天差异，每个人的音色是不同的，有些是清晰的。有些是诚实的，有些是柔软的，有些是僵硬的，有些是瘦的，有些是粗糙的，有些是甜的，有些是奇怪的。这反映了一个人的声音水平、强度以及声音中音调和伴奏的各种差异。它也是每个人生理差异造成的基本音色。
一个人的个性音色不是由人的意志传递的。然而，音色也与使用密切相关。同一个人的音色在一定范围内可以有宽度、明暗。刚柔、虚实变化。
音色的变化是通过控制呼吸位置的深度、呼吸量、不同的张口、嘴唇和舌头的力量、发音位置的前后，而且受特定情感的影响。
音色的使用必须遵循自然原则，因为它不是表演或塑造一个剧本中的角色。它应该真诚地面对观众。语言的使用应该简单、真实，不允许刻意地修饰声音。
When we praise a person's good voice, we are actually praising their good voice. In terms of timbre, friends know how to control timbre and let their voice play a better role. This is the fresh blood of the dubbing industry.
Therefore, the voice control and application of the dubbing members should be learned and understood by each dubbing member. In different environments, dubbing members also need to use different voices to interpret the characters and show different effects. How to control the voice of voice actors is a problem worthy of attention.
Introduction to the control and application of the dubbing staff:
Tone is also called sound quality. Sound is different from other sounds is a basic feature
Due to the congenital difference between the sounding body and the resonant cavity, everyone's timbre is different, and some are clear. Some are honest, some are soft, some are stiff, some are thin, some are rough, some are sweet, and some are weird. This reflects the various differences in a person's voice level, intensity, pitch and accompaniment in the voice. It is also the basic timbre caused by everyone's physiological differences.
A person's personality tone is not transmitted by the will of the person. However, timbre is also closely related to usage. The tone of the same person can be wide, light and dark within a certain range. Rigidity and softness, virtual and real changes.
Tone changes are controlled by the depth of breathing position, breathing volume, different mouth openings, the strength of the lips and tongue, the front and back of the pronunciation position, and are affected by specific emotions.
The use of tone must follow the principles of nature, because it is not acting or shaping a character in a script. It should face the audience sincerely. The use of language should be simple and true, and it is not allowed to deliberately modify the sound.
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