发出声音需要身体的某些部位。如何控制声音，把握呼吸，如何更好地控制喉咙处声音的稳定性，以及三腔共振在配音中的作用。
配音被称为“共振”。我们的简单理解是，发音器官中有许多空腔参与共振过程。当我们的呼吸刺激声带，使声带的频率接近或等于共振器官的频率时，我们的声音就会被放大和美化。对我们来说，广播的另一个重要内容是共振控制。共振控制与呼吸系统、口腔、咽喉等密切相关。接下来，让我们分析画外音共振的控制。众所周知，人们的声音是通过声带发出的。声带是两个薄的韧带组织。它相互摩擦和振动以产生我们的声音，但这种声音微弱而干燥。听上去不太愉快。我们称这种声音为“喉音”。
这种声音不能直接用于配音。一个原因是原来的喉音太弱，听不清。更重要的是，它缺少圆润美丽的纹理。因此，各种谐振腔在呼吸的作用下相互配合，以放大和美化原始喉音是十分必要的。不仅如此，这也是保护声音最科学、最有效的方法。我们经常谈论在配音中使用三腔共振。许多人错误地把这三个腔等同于鼻腔、口腔和胸腔。
事实上，高质量的声音不仅是三个腔体的共振，而且只有三个腔体是高声区、中声区和低声区最典型、最具代表性的共振腔体。如果我们想在配音过程中获得最佳效果，所有共振接收器都应该参与，共同努力实现理想的三腔共振，配音是与声音一起工作的职业，在许多情况下，配音时要注意如何更好地准确发音和更清晰地发音。
Certain parts of the body are needed to make a sound. How to control the sound, grasp the breath, how to better control the stability of the sound at the throat, and the role of three-cavity resonance in dubbing.
dubbing is called "resonance". Our simple understanding is that there are many cavities in the vocal organs that participate in the resonance process. When our breathing stimulates the vocal cords and makes the frequency of the vocal cords close to or equal to the frequency of the resonant organ, our voice will be amplified and beautified. For us, another important aspect of broadcasting is resonance control. Resonance control is closely related to the respiratory system, mouth, and throat. Next, let us analyze the control of voice-over resonance. As we all know, people's voices are emitted through the vocal cords. The vocal cords are two thin ligaments. It rubs and vibrates against each other to produce our voice, but this sound is weak and dry. It doesn't sound very pleasant. We call this sound "guttural".
This kind of voice cannot be directly used for dubbing. One reason is that the original guttural voice is too weak to hear clearly. More importantly, it lacks a round and beautiful texture. Therefore, it is very necessary for various resonant cavities to cooperate with each other under the action of respiration to amplify and beautify the original guttural sound. Not only that, it is also the most scientific and effective way to protect sound. We often talk about the use of three-cavity resonance in dubbing. Many people mistakenly equate these three cavities with the nasal cavity, oral cavity and thoracic cavity.
In fact, high-quality sound is not only the resonance of the three cavities, but only three cavities are the most typical and representative resonant cavities in the high-, middle, and low-sound areas. If we want to get the best results in the dubbing process, all resonance receivers should be involved and work together to achieve the ideal three-cavity resonance. Dubbing is a profession that works with the sound. In many cases, we must pay attention to how to better when dubbing Pronunciation accurately and more clearly.
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